September 28, 2009

Memoirs from the Vansihed Horizon (Second Draft)

This is an update to the original poem found here. The following changes were made: I have set each line (save one) into a strict 10-syllable meter, giving it a needed sense of control and structure; I have changed/added various words; and I have added an additional stanza at the beginning. The word changes/additions and the addition of the stanza were to give the poem smoother transitions, something that the first draft sorely lacked. Enjoy.

I.
"Oh Jerusalem! Oh unreal city!
City of man! City of dust and blood!
Hear, oh hear! The lord your god, the lord is
Bits of hair and lint in your coat pocket!

Streets stand silent with the noisome static
Of cars and the falling of fretting feet.
The sewage smell comes up from the gutters;
It comes, and seasons the food vendors' wares.

The dead ditch-diggers etch the street with graves.
(Even in death we are not left alone!)
See now! Their sweated backs are pictured much
By the plastic youths with plastic cellphones.

And the old clock-tower was tightly wound,
Its hands sit spinning; they spin to no end.
The coal black swords that carve out the hours
Are accompanied by the man in black.

There he walks the edge of the gray stone ledge,
There on the old clock-tower's meager lisp.
He casts down words that crack the hat-ed heads
And shatter, shatter, shatter on the ground.

'Misery, misery! Misery all!'
Croaked the clarion cry from up below,
'Misery! Misery!' raised the voice
That fell like glass onto the passers-by.

'Come down, strange fellow!' cry the passers-by,
'You'll trip. You'll fall. You'll break your foolish head!'
'Oh, broken, broken! Oh, all is broken!'
He cried anew before he fell as dead.

The grisly gravity did its best work
As it dashed him against the earthen floor.
The onlookers did scatter; voyeurs did hide,
When the man kissed the world and broke to bits.

'Misery! Misery!' his final cry,
The final call he let fly as he fell.
And the passers-by, inconvenienced, knew
For certain that he had gone straight to hell.

'A special hell!' they all seemed to agree
With many talks and nods and committees
That they formed just then, on the bloody street,
The dead man's head sitting fresh at their feet.
'Misery! Misery!' the head did cry,
And the committees did argue and flatter and lie.

Soon every man and woman heard the news
Without ever leaving their office seats.
The Internet had pictures, film, and words
Before any feet left the bloody street,
Filing the empty heads of soulless meat
With information devoid of knowledge."

-Jon Vowell (c) 2009

September 23, 2009

Sonnet for the Thoughts that Plagued me Sunday

"Happy people feel the strength of Your peace.
Every mirror shows no reflection. They
Love to lose themselves, forgetting the face
Plastered against the glass, a mere doorway

Made to the house of God. How often I
Yearn to unmake myself, let the tap'stry
Unravel, each thread let loose to fly on
Never-ending winds. Hope in the myst'ry

Breaks all stability not found in You.
Everyday my atheism breaks loose,
Leaving me a wretched wretch and less true.
In truth, my promises lie in a noose

Ever ready to fail again, again!
Forgive; fearing to fail has been my sin."

-Jon Vowell (c) 2009

Memoirs from the Vansihed Horizon

This one is a bit more experimental for me. I'm trying my hand at my own kind of narrative poetry. Let it be know that I appreciate those who willingly submit themselves to being my guinea pigs.

I.

"Oh Jerusalem, Jerusalem! Oh unreal city!
City of man! City of dust and blood!
Hear, oh hear! The lord your god, the lord your god,
Is bits and pieces of hair and lint in your coat pocket!

The ditch-diggers etch the street with graves.
(Even in death we are not left alone!)
Their sweated backs are pictured much
By the unpensive youths with plastic cellphones.

The old clock-tower was tightly wound,
Its hands that spin without an end,
Coal black swords that carve the hours,
Accompanied by the man in black.

He walks the edge of the gray stone ledge,
The old clock-tower's meager lisp.
He casts down words that crack hatted heads
And shatter, shatter, shatter on the ground.

'Misery, misery! All is misery!'
Croaked the cry from up below.
'Misery! Misery!' raised the voice
That fell onto the passers-by.

'Come down, strange fiend!' cry the passers-by,
'You'll trip. You'll fall. You'll break your head!'
'Broken, broken! All is broken!'
He cried anew and fell as dead.

The grisly gravity did its work,
And dashed him to the earthen floor.
Onlookers scattered; voyeurs did hide,
When he kissed the world and broke to bits.

'Misery! Misery!' his final cry
He did let fly as he fell.
The passers-by, inconvenienced, knew
For sure that he went straight to hell.

'A special hell!' they all agreed
With talks and nods and committees
They formed just then, on the bloody street,
The dead man's head fresh at their feet.
'Misery! Misery!' he still did cry,
And the committees did argue and flatter and lie.

Every man and woman heard the news
Without ever leaving their office seats.
The Internet had pictures, film, and words
Before any feet left the bloody street,
Filling the minds of soulless meat
With knowledgeless information."

-Jon Vowell (c) 2009

Someone Asked Me Why I Read

"Line upon line, precept upon precept,
Image upon image, theme upon theme;
Conceits and words wedded together
Fall soft along the sharpened beam

Of light, the white refracted blade.
The empty page, like mirror of nickel,
Catches the falling coals of fire:
Rose red petals, cracked like a jewel
Whose facets house the sunset's orange.

The page, a drum the embers strike;
Its vibrations send sparks flying upwards.
Breathed in, purging tongue and mind and soul,
They fit a fool for the enfolding Flame;
His language fire, and Love His name."

-Jon Vowell (c) 2009

Art (and other things) as the Continuance of the Incarnation

"Surely I will not come into the chamber of my house, nor go up into my bed. I will not give sleep to my eyes, or slumber to my eyelids, until I find out a place for the Lord, a dwelling place for the mighty God of Jacob." Ps. 132:3-5

The desire of David expressed here should be the desire of us all, i.e., to give the Almighty a residence amongst men. Having been indwelt by the living God (II Cor. 6:16-18), it should be our goal (whether in preaching or evangelism, art or service) to manifest in our mortal flesh the God who is there. Our lives (regardless of our personality or talents, occupations or preoccupations) are to be a continuation of the Incarnation. Too often our words and witness, our worship and work, are about the manifestation of maxims and moral lessons, or (perhaps what is worse) ourselves. As good as maxims and morals may be, they are not the best thing, the needful thing. What people need is not platitudes, but rather a holy God and His forgiveness; and if that is not what we are manifesting in whatsoever our hands find to do, then we are merely wasting time.
"Sir, we would see Jesus," said the Greeks to Philip at Passover (John 12:20-21). That is the key: to make Jesus "see-able". As temples of the Holy Ghost (I Cor. 6:19-20), all that God is is ours, and we are being transformed into His holiness (II Cor. 3:12-18; I Pet. 1:13-16), into Christ-likeness, which is God-likeness. Such an internal activity cannot and should not be hid, but we try anyway. What bushel is there that we have not tried to utilize in hiding the light of God within us? Some even have been utilized in the name of making the light brighter! Oh, how we fail! But grace is greater; grace is constant; and grace will not be satisfied until the work is finished (Phil. 1:6). And herein is the work: to build a dwelling place for the mighty God, to make the place where men can see Him face to face. Whatever we say (from the pulpit or the streets), whatever we do (from the feeding of the poor to the writing of the poem), all is to be done for the glorification and manifestation of God to men.

-Jon Vowell